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Jean Baptiste Camille  Corot Moine italien assis (mk11) oil painting


Moine italien assis (mk11)
Painting ID::  21003
Jean Baptiste Camille Corot
Moine italien assis (mk11)
vers 1827 Buffalo N.Y Albright-Knox Art Gallery

   
   
     

Jean Baptiste Camille  Corot La cathedrale de Chartres (mk11) oil painting


La cathedrale de Chartres (mk11)
Painting ID::  21004
Jean Baptiste Camille Corot
La cathedrale de Chartres (mk11)
1830 Paris,Musee du Louvre

   
   
     

Jean Baptiste Camille  Corot Le Pont-au-Change et le Palais de Justice (mk11) oil painting


Le Pont-au-Change et le Palais de Justice (mk11)
Painting ID::  21005
Jean Baptiste Camille Corot
Le Pont-au-Change et le Palais de Justice (mk11)
Paris-1830 New York,collection privee

   
   
     

Jean Baptiste Camille  Corot Notre-Dame et le quai des Orfevres (mk11) oil painting


Notre-Dame et le quai des Orfevres (mk11)
Painting ID::  21006
Jean Baptiste Camille Corot
Notre-Dame et le quai des Orfevres (mk11)
1833 Paris,Musee Carnavalet

   
   
     

Jean Baptiste Camille  Corot Rouen (mk11) oil painting


Rouen (mk11)
Painting ID::  21007
Jean Baptiste Camille Corot
Rouen (mk11)
Vue prise de la cote Sainte-Catherine -1833 Hartford,Conn,Wadsworth Atheneum

   
   
     

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     Jean Baptiste Camille Corot
     1796-1875 Corot Locations French painter, draughtsman and printmaker. After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.

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